Sunday, June 19, 2022

Front 242- Fuck Up Evil and Evil Off

 

FACTORY

Front 242: The Evil That Men Do

            The sunlight steals into my room, assaulting me with its luminescence and robbing me of sleep. During its merciless attack on my hot skin, it wedges into the slits of my eyes and pries them apart, only to blind them again with its radiance. I close my eyes to shut out the light, but I can still see the red glow penetrating through my eyelids. My hand travels upward to intersect the trajectory of the sunbeam creating a momentary darkness, like a knight’s shield blocking a dragon’s fiery breath.

            Once my eyes adjust to the brazen daylight, I begin to discern the familiar confines of my room. My head buzzes with the incoherent memories of midnight’s dreams and early morning thoughts. The fuzziness of my soft brain is like a plush toy in some demented child’s hands, being squeezed and twisted with abandon. With each squeeze, images from last night leap from my mind and dance before my eyes. These images help me piece together yesterday’s events. I smile as I remember I am not alone in my sleep-washed bed.

            Last night’s lover groans softly next to me and shifts his body closer. He lays his raven-crested head against my shoulder, and I feel his warm breath exhale softly across my chest. His hand, which had previously rested upon my knee, now travels lazily up my leg, reaching and caressing my abdomen. His knee lifts and comes to rest over my leg, creating a sudden rush of heat along my thigh.

            I raise my arm and swing it over, allowing him to rest his head on my chest as I caress his upper arm. I lean down and kiss the top of his head, inadvertently smelling the sweet chemical smell of his hair gel still going strong hours after its application. The intermingled smell of it, along with the remnants of his cologne, add another tantalizing piece to last night’s memories.

            “Good morning,” I whisper and squeeze his body tightly.

            He lets off a soft groan and lifts the bed sheet to cover himself a bit more.

            I look over at the digital time display on my stereo system and sigh in disappointment. It’s way later than I thought.

            “Jimmy,” I shake his arm a bit. “Dude, we have to get up soon. I’m not sure when my mom’s coming back home. And we can’t get caught like this.”

            “I’m tired,” he yawns. “Just give me five more minutes, please!”

            I consider the risk of being caught and I weigh it against how wonderful it feels to be here in bed with Jimmy. Am I being too paranoid? I reason. Mom probably won’t be home for a bit.

            I decide it’s worth the risk.

            “Ok. Relax a bit longer. But I have to go to the bathroom really quick. I’ll be right back.”

            I hate having to slide his head off my chest. But my bladder works overtime in the morning, perhaps a remnant of my childhood bed-wetting days. I know that if I don’t get out of bed and urinate now, I risk a deluge nearly as horrible as Noah’s. Looking at his beautiful body, I decide that is a risk I won’t take.

            Entering the bathroom, I catch a glimpse of my reflection in the mirror and nearly scream. I have become a victim of that hideous affliction known as “Morning Face”. I quickly do my business, wash up, brush my teeth, and fix my hair. I even put on a spritz of cologne and deodorant for good measure.

            I’m glad he was too sleepy to open his eyes and see me like this!

            My business done in the commode, I return to the room and dive into the pool of bedsheets beside him. We resume our prior position and hold each other for a while, as the sunlight continues its invasion across my room.

            “Hmm! You smell good,” Jimmy says, waking up a bit.

            “Oh, thanks. Yes, I am one of those people whose body produces a natural fragrance,” I reply, a note of smugness detectable in my voice.

            “…That smells like Escape by Calvin Klein?” he asks. “I don’t think so!”

            We both laugh a great and hearty laugh. Our laughter is cut off simultaneously by twin yawns. This strange occurrence sets us off on another fit of laughter which continues unabated for a while, until it tapers off.

            “I had a great time last night,” he says. “What was that band’s name? Front 242?”

            “Yeah. Did you like them?”

            “Yes,” he says, sitting up in the bed. “They were really good. And they were so friendly! That guy; one of the two singers? He was nice to me. Did you know he’s a painter? He was showing me prints of the work he does. He’s talented.”

            “I think they’ve used some of his paintings for the covers of their records too,” I sit up next to him on the bed. My eyes glance nervously at the time on my stereo and wonder when my mom is coming home.

            “You have all their records, right?” Jimmy asks.

            “Of course! Front 242 is one of my favorite bands ever. I have all their tapes. As a matter of fact, this year alone they released two new albums and I got advance copies of them too. That party last night was the record release party for the newest one Evil Off.”

            “I thought it was something with numbers in it?” he asks.

            “Well, technically the album’s title is 05:22:09:12 Off, but the numbers are coded corresponding to the alphabet. So, breaking the code we find the name of the album is Evil Off. Nifty, huh? It’s the same case with their prior album 06:21:03:11 Up Evil. The title of that one is Fuck Up Evil.”

            “You must have been really bored to figure that one out,” Jimmy deadpans.

            “Just call me the Sherlock Holmes of Industrial music!” I laugh. “Actually, I think I read it somewhere. I’m not that clever. Anyway, the new album is really hot! It’s one of the most unique things they’ve put out. They managed to combine their older EBM style with the New Age-y experimental sound of their last two albums. Then they added a dash of Techno and somehow it really works. The music on Evil Off is aggressive, while at the same time haunting and accessible. They even added female vocals to a couple of songs.”

            “Yeah, what I heard sounded great,” Jimmy said. “It made me feel like I was at a rave or something.”

            “I could see that,” I agreed. “My favorite tracks are ‘Animal-Cage’, ‘Serial Killers Don’t Kill Their Girlfriends’, ‘Skin’, and ‘Crushed’. Those songs are prime examples of that melding of genres they did on this album.”

            “What about that other record they did? Did you like that one?”

            Fuck Up Evil? Yeah, it was good. It had some great tracks like ‘Religion’, ‘Crapage’, ‘Flag’, and ‘Mutilate’. But for the most part the album sounded too mellow for me. I like this new one better. It’s much more aggressive and hard-hitting. It is like a Front 242 for a new generation. It’s wicked, evil, and even melancholic at times. This is a band who has reached out to the future but has not forgotten its past. Evil Off is Front 242’s best album since Front by Front. I’ll make you a copy.”

            “Great,” he smiles. “Thanks for taking me last night. Great first date. I had fun.”

            “No problem. Thanks for coming with me.”

            Jimmy gives me a sideways glance and shakes his head. We both laugh.

            At that moment, we hear the front door being unlocked. My blood freezes.

            “Shit!” I whisper as I jump out of bed and scramble to find my clothes. “My mom’s home!”

            “What are we gonna do?” Jimmy asks while putting on his pants.

            I stop for a moment and ponder his question. I’ve been hiding too long. My mother knows about my bisexuality, but she refuses to discuss it. It’s time I took a stand and forced a confrontation. After that, things can only get better.

            I look at Jimmy in his half-naked glory and simply shake my head.

            “Nothing,” I say and grab his hand. I pull him in for a quick kiss.

            “David?” my mom’s voice drifts up from the hallway. “Are you home?”

            “Yes, Ma!” I call out. “I’m in my room!”

            The door opens and my mom stands there with a horrified look on her face. She drops the bags she had been carrying and does the sign of the cross on herself.

            “Hi, Mom”, I say. “We gotta talk…”

Saturday, June 18, 2022

Late Night With David Zayas - Capsule Reviews

 

FACTORY

Late Night with David Zayas

Halo, Skin Chamber, Butthole Surfers, Fear Factory, Lament, Harajuku, Sunscreem

 

                It’s 3:45 am and I just got in from a wonderful night out with friends. The three of us haven’t hung out together in a long time, so it was fun going out and being silly with them. We got drunk and danced all night at clubs I’ve never been. It’s good to break away from the normal routine and get out to new places. You meet all sorts of new, strange people. Tonight, I met a wacked-out Whitney Houston impersonator, a pretentious choreographer without an ounce of talent in his body, and a beautiful (if not a bit too aggressive) woman who asked me to marry her. Wow, I need to do this more often, eh?

                I have so much I want to talk about right now. First, let me tell you about this new tape I got called Halo by one-man Canadian act named Prayer Tower. This latest release from the Third Mind Records label features the genre’s usual distorted vocals laid over infectious, electronic dance beats. But there is a certain something that makes it stand out from the usual wall of noise. The best compliment I can give it is this: Listening to it, gave me the same majestic feeling I had when I first heard Confessions of a Knife by My Life With The Thrill Kill Kult. It sounds like an instant masterpiece. The best tracks on it are “Electric State”, “Temptation”, and the sublime “Hate Like This”. In my humble opinion, Halo by Prayer Tower has the kind of sound that “Industrial” music should embrace once again, as opposed to the “Heavy Metal” sounds that bands like Ministry have pushed it toward.

                Standing as a prime example of that “Metal” sound I described above, is the new album Trial by Skin Chamber on Roadrunner Records. This album can only be described as ugly. From the cover art to the music within, everything here is so dark, scary, and inaccessible that it is a wonder it was even made. However, there is much to enjoy among the twisted horror. The tracks “Throb” and “Slow Crime” remind me of Metallica on downers. And although other songs like “On a Drunk”, “Torturous World”, and “Swallowing Scrap Metal (Part Five)” sound like the soundtrack to some twisted nightmare; There is a dark beauty to be found within them. Skin Chamber is a side project of Industrial group Controlled Bleeding, and the influence is obvious. Much like scrap metal, Skin Chamber’s Trial is hard to swallow, and will screw up your insides, but it is a quite impressive feat.

                Okay, so John Paul Jones produced the Butthole Surfers’ new album. So what? Is that supposed to make it good? Independent Worm Saloon has a couple of fun songs like “Who Was in My Room Last Night”, “The Annoying Song”, and “The Ballad of Naked Man”, but this is not the Butthole Surfers. If I want to hear Rock ‘N Roll, I’ll put on K-Rock. And if want to hear anything from John Paul Jones, I’ll play Led Zepellin’s “Fool in the Rain”. Catch my drift? Wise up, Surfers or you’ll be shit. You can tell this is their major label debut because it is neutered. No balls.

                Fear Factory’s new EP Fear Is the Mind Killer is pretty cool. Released by Roadrunner Records, it features five remixes of their songs by Rhys Fulber and Bill Leeb of Frontline Assembly.  The remixes take these already intense metal songs into whole new realms, making them sound more like Skinny Puppy and Pigface. It’s like visiting an alternate reality where Fear Factory became an Industrial band. There are some great and dark interpretations of their songs on here. But I would have loved to hear other songs instead of three versions of “Self Immolation”. I began to resent that song after a while. But overall, the EP is worth listening to for the radical interpretations and ingenious lyrics.

                I came across a demo tape by a local, unsigned band named Lament. The cover of the tape features a beautiful, black & white photograph of an angel statue, and that is what drew me to the tape.  When I played it, I expected to hear some sort of slow Goth music. Instead, it was a seven-song compilation of well-crafted, if not a bit stoic, rock music. One song stood above the rest as a potential single, and that is the eponymous track “Lament”. This song has a catchy guitar hook, and earnestly endearing vocals. I’ve been humming it constantly since I first heard it. This band shows promise, and I am interested in monitoring their musical development.

                The musical event of the year, as far as I am concerned, was the release of a techno versions of Andrew Lloyd Weber’s “The Phantom of the Opera” by Harajuku. I was out at a gay club the other night and out of nowhere these creepy Halloween-record type noises started to play over the sound system. You know what I mean, a creaking door, a howling wolf, and footsteps. Then the opening melody of “The Phantom of the Opera” began, and the dancefloor got packed. The original version was techno-ey enough, but this version dialed that up to eleven and gave the song just the right beat to become a dance music classic. I have no idea what or who Harajuku is, but I am curious to see what they do next. I really hope it’s a techno version of “Everything’s Coming Up Roses” by Ethel Merman. I’d buy it!

                Speaking of Techno, Sunscreem has released an album titled O, which is blazing up the dance charts thank to the hit single “Love U More”. I love this song. It touches me in a sentimental way that sends shivers down my spine. The album O isn’t half bad either. I mean, once you’ve heard five techno songs, you’ve heard them all. But this album has another great single potential in the song “Pressure”. It is catchy as hell and features the singer’s wispy, Kate Bush-like vocals at their best. Those two singles alone should make the album worthy of a couple of listens.

                Well, folks, it’s now 4:30 am and I have a dental appointment at 11:30, so I better get some sleep. As always, it’s been a pleasure being able to talk to you like this, late at night, completely naked, and listening to 70’s dance classics in the background. You know, life’s too good. You just have to know when to relax and enjoy yourself. Man, summer is coming soon. I can feel it. I look forward to the freedom from responsibility that summer brings. This one will be nothing but late nights and mellow mornings. But for now, I must drift off into sweet slumber. Too bad you are not here for me to curl up next to. I hate sleeping alone.