Meat Beat Manifesto
Satyricon
I stand outside the massive structure to which I have been assigned. From behind my dark shades I can see its name: Columbia High School. I light a cigarette and stare as the students swarm about me, rushing to their morning classes.
“Hey, James Dean,” a student taunts as he runs by me. “That look is played out, yo.”
“Fuck you,” is my calm reply.
He is right, though. I must look pretty stupid with my black leather jacket, black jeans, black shirt, and black Doc Martens. Combined with the black shades, black leather gloves and cigarette, I must look like a caricature of a 50’s rebel. I am surprised, though, that the little shit even knows who James Dean was. All most kids know about nowadays is Home Alone 2 and Nirvana. I smile to myself and take off the my shades.
What does he know about rebellion, anyway? I flick my cigarette at a passing freshman and enter the school building. I can’t believe I’m going to be teaching here.
Inside, I am immediately stopped by a burly, Spanish security guard who growls: “Can I help you?” His name tag identifies his as Paco, but the tone of his voice identified him as a dick. His kind offer for help was overshadowed by his obvious sarcasm.
I look down into his beady eyes and say (in my best Steven Segal voice): “Let me tell you something, Pac-hoe. I don’t need to take none of your sarcasm, you dig? I’m teaching here. Now where is the main office?”
He just stares back at me. I can see his little mousy mustache twitching. After a minute more of staring at my alligator-like grin, he says: “I’m going to have to escort you there.”
On the way to the office, I take off my gloves and jacket. I also untuck my pants out of my boots, making them look like shoes. By the time we get to the office, I have undergone a transformation into the spitting image of a typical student teacher.
Inside the office, the guard announces quite loudly: “This guy says he’s a new teacher here!”
My heart leaps up to my throat. I feel like throttling him. But all I can do is stand there wide-eyed as every head, including the principal’s, turns to stare at me. The guard snickers and exits the office, mumbling “Asshole” under his contemptuous breath.
The silence of the room weighs upon me as everyone waits for me to break it with the divulgence of a reason for my intrusion.
“Actually, ha ha, I... I’m doing my Junior Field Experience. Uhm, I am supposed to to meet up with Ms. Wastie. I think it’s room A225.”
Everyone goes back to their work as one of the secretaries approaches me with a map in hand. She looks at me doubtfully over the rim of her thick glasses and licks her parchment-dry lips. I can almost hear them crack as she opens her mouth to speak.
“It’s on the second floor. Go down this hallway. Make a right and go up the stairs, then follow this floor plan to her room.” I reach for the map and turn to leave, when she adds: “By the way, there’s no smoking on school property.”
“Yes, Ma’am,” I reply meekly and make my exit. I follow the instructions and find Ms. Wastie quite easily. She gives me the rundown on what I have to do. Apparently, I am to observe her classes for the first few weeks. Then, I am to teach a couple of lessons based on lesson plans that I will create. Finally, at the end of my time in her class, someone from Kean College will be in to observe and evaluate me on a particular day.
I don’t like the thought of being “observed” and “evaluated.” I mean, how can your entire career as a teacher be judged on only one day of teaching. What if it just happens to be a bad day? What if you are usually a great teacher, but on that particular day some snot-nosed punk decides to mouth off at you? I think it would be better if Ms Wastie herself were to evaluate me. That would be fair. But I am old enough to realize that life is far from fair. To quote George Michael quoting The Rolling Stones: “You can’t always get what you want.”
The first half of the day is quite uneventful. Some of the classes are angelic; some demonic. But one thing all the classes have in common is conformity. All of the students look alike, dress alike, talk alike, and pretty much act alike.
What ever happened to the wild high school days and the rebellion of the youth? Where are the outcasts of the school? The artists? Where are the youth that are unafraid to stand out of the crowd? Where are the rebels?
During the lunch period, I wander down to the cafeteria to grab a bite. I am not surprised to see that some things didn’t change: the cafeteria food still tastes like cardboard. I finish what I can and then I am overcome by a massive nicotine fit. I begin to wander the halls searching for a good hiding place where I can smoke. I pass a side door and see that someone has wedged a can of grape soda into it to keep the door open.
I push it open and see that the door leads to a small parking lot. A maintenance lot, I assume. A voice calls out to me immediately: “Don’t let it shut, man!”
I turn to find the source of that voice and I see that it belongs to a very interesting, young Filipino girl. She is about 16 and has dyed flaming red hair. It matches her flaming red socks which I see through her transparent Doc Marten boots. She is wearing a long black trench-coat and black tights. Her shirt is a flowing pattern of black and red polka dots. She is sitting on the hood of a beat up green Honda Civic, listening to her walkman and smoking a black clove cigarette. She is fierce!
I wedge the can between the doors once again and approach her, lighting my own cigarette. She regards me with a cool, detached look as I get closer to her. I stop a couple of feet away from the car and say: “What’s up? What are you listening to?”
She rolls her eyes a bit and and answers in a dismissive voice: “You wouldn’t know them.” She pauses to take a long drag and blows it out through her nose. “It’s a group called Meat Beat Manifesto.”
“Cool,” I reply. “Is that the new album Satyricon?”
She seems surprised that I know of the group. She smiles, brushes her fiery mane aside and replies: “Yeah, I just got it. I think it’s pretty good. I mean, it’s not as good as their last tape 99%”
“Uh, huh,” I lead her on a bit.
“I mean 99% was so hard and frantic and this one is so much mellower. But it’s really good. What do you think?”
I inhale deeply and prepare myself for my long reply. She obviously doesn’t know who she’s messing with. “I think Satyricon is fantastic. It is a very cerebral work. All the songs have a running theme of control in them: control of your own mind, your own body and your own soul. The album relates the expansion of the universe to the expansion of your mind. Songs like ‘Mindstream’ and ‘The Sphere’ deal quite openly with the expansion I mentioned. While other songs like ‘Circles’ and ‘Placebo’ deal with the futility of those expansions due to our inability to properly control and utilize them.”
I take another drag and continue: “And, of course, we have all those other obvious control songs like ‘Original Control (Versions I and II)’ and ‘Edge Of No Control (Parts I and II)’ which delineate the constant struggle we face to keep control of our very being.”
Throughout all this, she has just been staring at me. She takes another drag and blurts out: “Are you a college student, or something?”
“Yeah,” I smile and continue. “Anyway, the music is very interesting. It’s not as quote-unquote Industrial as the other stuff they’ve done. It has more of an accessible dance beat mixed with psychedelic sounds and bizarre samples. You can tell the influence that the group Consolidated has had on the recording of this album. It sounds a little like the material from Consolidated’s Play More Music, but not as diverse. Meat Beat Manifesto even thank Consolidated in their liner notes. I think it was a good influence. How about you?”
She puts out her cigarette, gets up off the car, and begins to walk back toward the door. “Yeah, uhm, I really like it. Well, I gotta go.”
“Wait!” I cry after her. “Don’t you want to hear about my friend Doug’s theory on their prior album 99%? He equates it to a paranoid acid trip. It’s really fascinating!”
By this time, she has reached the door. She turns around, smiles at me, steps inside and kicks the can out from between the doors. She laughs as the door slams shut, locking me out.
“Ah, the rebellion of youth,” I muse silently to myself.
